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Home | Songwriters | Songs | Lyrics | Performers |
See also: Song themes, Cover versions, Christmas songs
This page features notable songs which are either exceptional examples of the work of songwriters listed on this site, or are by other notable songwriters not otherwise listed, so giving them some due recognition. There are also some exceptional songs by little-known songwriters. This list attempts to distinguish between "great pop records" and "great songs" and attempts to omit records which were good only because of their performance. For example Twist and Shout was a great recording by the Beatles and a very popular when they performed it live, BUT it cannot be considered a great piece of songwriting because it is just a variant of La Bamba (and who wrote that?).
Instrumental content is taken into account where it is part of the composition (e.g. The Young Ones). Lyrics are taken into account though they might not always be a literary masterpiece, and might even be unintelligible and meaningless (great!), so long as they work well with the song; e.g. Wooly Bully!
Not all songs here are to the taste of the author of this site, but included because they are clearly very successful songs, especially those popular with performers, and performed by many people, such as My Way.
Songwriters listed here are the officially credited songwriters. Any missing information is awaiting completion when information has been researched and checked. The list is in approximate chronological order, and the dates quoted are approximate and based on the version of the song listed. Note that some may have been written earlier.
| Song | Songwriter(s) | Principal performer | Year | |
| Route 66 | Bob Troup | Nat King Cole Trio | 1946 | |
| Move It On Over | Hank Williams | Hank Williams | 1947 | |
| Dirty Old Town | Ewan McColl | Ewan McColl | 1949 | |
| Wouldn't it be Loverly | Lerner; Loewe | (My Fair Lady) | 1956 | |
| Johnny B Goode | Berry | Chuck Berry | 1958 | |
| To Know You is to Love You | Phil Spector | (Teddy Bears) | 1958 | |
| Move It | Ian Samwell | Cliff Richard | 1958 | |
| Poison Ivy | Leiber; Stoller | The Coasters | 1959 | |
| I'm Sorry | Dub Albritton; Ronnie Self | Brenda Lee | 1960 | |
| Shakin' All Over | J. Kidd | Johnny Kidd & the Pirates | 1960 | |
| Poetry In Motion | Paul Kaufman; Mike Anthony | Johnny Tillotson | 1960 | |
| Runaround Sue | DiMucci; Maresca | Dion | 1961 | |
| Crazy | Willie Nelson | Patsy Cline | 1961 | |
| Johnny Remember Me | Goddard | John Leyton | 1961 | |
| Runaway | Del Shannon; Max Crook | Del Shannon | 1961 | |
| When The Girl In Your Arms | Tepper; Bennett | Cliff Richard | 1961 | |
| The Young Ones | Tepper; Bennett | Cliff Richard | 1962 | |
| A Picture of You | Beveridge; Oakman | Joe Brown & Bruvvers | 1962 | |
| Ring of Fire | June Carter; Merle Kilgore | Johnny Cash | 1963 | |
| I Saw Her Standing There | Lennon; McCartney | The Beatles | 1963 | |
| Anna | Arthur Alexander | The Beatles | 1963 | |
| The Hippy Hippy Shake | Romero | The Swinging Blue Jeans | 1963 | |
| In Dreams | Roy Orbison | Roy Orbison | 1963 | |
| I Like It | Mitch Murray | Gerry and the Pacemakers | 1963 | |
| I (Who Have Nothing) | Leiber; Stoller; Rapetti; Donida | Shirley Bassey | 1963 | |
| I'll Keep You Satisfied | Lennon; McCartney | Billy J Kramer & Dakotas | 1963 | |
| Oh Pretty Woman | Roy Orbison | Roy Orbison | 1964 | |
| On The Beach | Welch; Marvin; Richard | Cliff Richard | 1964 | |
| You're My World | Bino; Sigman; Paoli | Cilla Black | 1964 | |
| She's Not There | Rod Argent | The Zombies | 1964 | |
| Leader of the Pack | Barry; Greenwich; Morton | Shangri-Las | 1964 | |
| You Better Move On | Arthur Alexander | The Rolling Stones | 1964 | |
| As Tears Go By | Jagger; Richards; Oldham | Marianne Faithfull | 1964 | |
| I'm The One | Gerry Marsden | Gerry and the Pacemakers | 1964 | |
| Go Now | Larry Banks; Milton Bennett | The Moody Blues | 1964 | |
| Nadine | Berry | Chuck Berry | 1964 | |
| Mr Tambourine Man | Dylan | The Byrds | 1965 | |
| The Green Green Grass of Home | Curly Putman | Tom Jones | 1965 | |
| My Generation | Pete Townshend | The Who | 1965 | |
| Wooly Bully | Domingo Samudio | Sam the Sham & Pharaohs | 1965 | |
| Yesterday | Lennon; McCartney (Paul McCartney) | The Beatles | 1965 | |
| Eve of Destruction | Sloan; Barri | Barry McGuire | 1965 | |
| Satisfaction | Jagger; Richards | The Rolling Stones | 1965 | |
| Tears | Capan; Uhr | Ken Dodd | 1965 | |
| Here Comes the Night | Bert Berns | Them | 1965 | |
| Keep On Running | Jackie Edwards | Spencer Davis Group | 1965 | |
| Paint it Black | Jagger; Richards | The Rolling Stones | 1966 | |
| Homeward Bound | Paul Simon | Simon and Garfunkel | 1966 | |
| California Dreaming | John Philips | The Mamas and the Papas | 1966 | |
| Pretty Flamingo | Barkan | Manfred Mann | 1966 | |
| Wild Thing | Chip Taylor | The Troggs | 1966 | |
| Eleanor Rigby | Lennon; McCartney | The Beatles | 1966 | |
| Sunshine Of Your Love | Bruce; Brown | Cream | 1966 | |
| River Deep Mountain High | Spector; Barry; Greenwich | Ike and Tina Turner | 1966 | |
| Matthew and Son | Stevens | Cat Stevens | 1966 | |
| Good Vibrations | Mike Love; Brian Wilson | The Beach Boys | 1966 | |
| The Wind Cries Mary | Jimi Hendrix | Jimi Hendrix Experience | 1967 | |
| I Can See For Miles | Pete Townshend | The Who | 1967 | |
| I'm a Believer | Neil Diamond | The Monkees | 1967 | |
| Waterloo Sunset | Ray Davies | The Kinks | 1967 | |
| Let the Heartaches Begin | Tony Macaulay; John McLeod | Long John Baldry | 1967 | |
| All You Need is Love | Lennon; McCartney | The Beatles | 1967 | |
| Nights in White Satin | Justin Hayward | The Moody Blues | 1967 | |
| A Whiter Shade of Pale | Brooker; Reid | Procol Harum | 1967 | |
| Somebody to Love | Darby Slick | Jefferson Airplane | 1967 | |
| Itchycoo Park | Marriott; Lane | Small Faces | 1967 | |
| Let's Go to San Francisco | Carter; Lewis | The Flowerpot Men | 1967 | |
| I Close My Eyes and Count to Ten | Westlake | Dusty Springfield | 1968 | |
| Macarthur Park | Jim Webb | Richard Harris | 1968 | |
| Eloise | Paul Ryan | Barry Ryan | 1968 | |
| Lily The Pink | Gorman; McGear; McGough | The Scaffold | 1968 | |
| The Weight | Robbie Robertson | The Band | 1968 | |
| Days | Ray Davies | The Kinks | 1968 | |
| Streets of London | Ralph McTell | Ralph McTell | 1968 | |
| Those Were the Days | Raskin | Mary Hopkin | 1968 | |
| Stand By Your Man | Sherrill; Wynette | Tammy Wynette | 1968 | |
| Carolina In My Mind | James Taylor | James Taylor | 1969 | |
| Hey Bulldog | Lennon; McCartney | The Beatles | 1969 | |
| It's All Too Much | George Harrison | The Beatles | 1969 | |
| Badge | Clapton; Harrison | Cream | 1969 | |
| Something | George Harrison | The Beatles | 1969 | |
| Something in the Air | John Keene | Thunderclap Newman | 1969 | |
| My Way | Anka; Revaux | Frank Sinatra | 1969 | |
| Throw Down a Line | Hank Marvin | Cliff Richard | 1969 | |
| Reflections of My Life | Campbell; Ford | Marmalade | 1969 | |
| Let It Be | Lennon; McCartney | The Beatles | 1970 | |
| Woodstock | Joni Mitchell | Matthews Southern Comfort | 1970 | |
| Father and Son | Stevens | Cat Stevens | 1970 | |
| Love of the Common People | Hurley; Wilkins | Nicky Thomas | 1970 | |
| Your Song | John; Taupin | Elton John | 1971 | |
| American Pie | Don McLean | Don McLean | 1971 | |
| If | David Gates | Bread | 1971 | |
| A Horse with No Name | Lee Bunnell | America | 1971 | |
| Maggie May | Stewart; Quittenton | Rod Stewart | 1971 | |
| Stairway to Heaven | Page; Plant | Led Zeppelin | 1971 | |
| Won't Get Fooled Again | Pete Townshend | The Who | 1971 | |
| Alone Again (Naturally) | O'Sullivan | Gilbert O'Sullivan | 1972 | |
| Perfect Day | Lou Reed | Lou Reed | 1972 | |
| I Can See Clearly Now | Johnny Nash | Johnny Nash | 1972 | |
| It Never Rains in Southern California | Albert Hammond; Mike Hazlewood | Albert Hammond | 1972 | |
| Midnight Train to Georgia | Jim Weatherly | Gladys Knight & the Pips | 1973 | |
| The Air That I Breathe | Albert Hammond; Mike Hazlewood | The Hollies | 1974 | |
| Waterloo | B. Andersson; S. Anderson; Ulvaeus | Abba | 1974 | |
| I'm Leaving it Up To You | Don F. Harris; Dewey Terry | Donny and Marie Osmond | 1974 | |
| On Horseback | Oldfield; Murray | Mke Oldfield | 1975 | |
| Roadrunner | Richman | Jonathan Richman | 1976 | |
| New Kid in Town | Souther; Henley; Frey | The Eagles | 1976 | |
| The Passenger | Iggy Pop, Ricky Gardiner | Iggy Pop | 1977 | |
| No More Heroes | The Stranglers | The Stranglers | 1977 | |
| Wuthering Heights | Kate Bush | Kate Bush | 1978 | |
| Miss You | Jagger; Richards | The Rolling Stones | 1978 | |
| Givin' Up Givin' In | G. Moroder; P. Bellotte | The Three Degrees | 1978 | |
| Rivers of Babylon | Dowe; McNaughton; Farian; Reyham | Boney M | 1978 | |
| Hopelessly Devoted to You | John Farrar | Olivia Newton-John | 1978 | |
| Because the Night | Smith; Springsteen | Patti Smith | 1978 | |
| I Will Survive | Fekaris; Perren | Gloria Gaynor | 1978 | |
| Baker Street | Rafferty | Gerry Rafferty | 1978 | |
| Northern Lights | Dunford; Thatcher | Renaissance | 1978 | |
| Sultans of Swing | Knopfler | Dire Straits | 1979 | |
| Are Friends Electric | Gary Numan | Tubeway Army | 1979 | |
| Pop Muzik | Robin Scott | M | 1979 | |
| Oliver's Army | Costello | Elvis Costello | 1979 | |
| Brass in Pocket | Hynde | The Pretenders | 1979 | |
| Girls Talk | Elvis Costello | Dave Edmunds | 1979 | |
| Day Trip to Bangor | Fiddler's Dram | 1979 | ||
| The Tide is High | J. Holt | Blondie | 1980 | |
| Starting Over | John Lennon | John Lennon | 1980 | |
| Woman | John Lennon | John Lennon | 1981 | |
| In the Air Tonight | Phil Collins | Phil Collins | 1981 | |
| A Little Peace | Siegel; Meinunger | Nicole | 1982 | |
| Heartbreaker | B, R, and M. Gibb | Dionne Warwick | 1982 | |
| Billie Jean | Michael Jackson | Michael Jackson | 1983 | |
| Thriller | Rod Temperton | Michael Jackson | 1983 | |
| Hallelujah | Leonard Cohen | Leonard Cohen | 1984 | |
| Handle With Care | Traveling Wilburys | Traveling Wilburys | 1988 | |
| The Oxford Girl | Jones; Telfer | Oyster Band | 1990 | |
| Fields of Gold | Sting | Sting | 1993 | |
| Alright | Sam Williams | Supergrass | 1995 | |
| Hurt | Trent Reznor | Johnny Cash | 2003 | |
| Somewhere Only We Know | Rice-Oxley; Chaplin; Hughes | Keane | 2004 |
This list is only a small selection of songs. Many of the songwriters above have written a vast amount of material and some of these songs are just a representative sample of a much greater body of work.
Hidden information. Some small amount of extra information including the sources of verification, is available in comments in the source code of this file.
See also: Song themes, Cover versions, Christmas songs
There are many reference books on pop songs showing performers, chart positions, band members and many other things, but they nearly always omit songwriter information. A notable book like this is the Guinness Book of Hit Singles. Similarly with Internet resources. This site will attempt to redress this, partly by actually providing the information, but also as an ongoing task, to gradually add links to reliable sources of information.
The best, and most reliable way to see who is credited as the songwriter is to look on the actual disc, or its packaging. Typically the songwriters follow the title and written in brackets, for example:
One of the few places on the Web which gives songwriter information, are Lyrics sites. See the Lyrics page on this site.
Sometimes the people credited with the songwriting are not quite the real people who actually wrote the song. That might be fine if all you want to know is who got the money, but if you are interested in the styles of songwriters it can be misleading. There are various reasons for this. In the early days of rock and roll in the USA new songwriters where required to share the credits with other people such as A&R men and record producers in order to get the recording contract and promotion. As a result other people muscled in on the songwriting credits when they actually played no part in it. It happened to Buddy Holly for example. Conversely there are songs officially written entirely by some great star, but he may have bought in expert help, especially from instrumentalists, and they may not be credited.
There are more benign reasons why the credited songwriters might not be the actual ones. John Lennon and Paul McCartney famously had a pact that all the work they did together or separately would be credited as Lennon McCartney. (This started as an informal verbal agreement and later became formal). This oddly resulted that Paul McCartney's instrumental piece for brass band Thingumybob (which was nothing to do with the Beatles) was credited to Lennon McCartney.
"It's the singer not the song" is a well known saying. I disagree with this entirely and believe that songwriting is more important. However, it is sometimes difficult to distinguish whether a good recorded song is due to the songwriter or the singer. Clearly both play a part. Being a good singer can certainly enhance the success of a songwriter (For example Morrissey is a great singer).
This is a short list of albums which are notable for being each almost entirely the work of a single songwriter or team, and mostly represent the greatest work of those songwriters.
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You can vote for your top 5 albums at www.pollthepeople.com
The Eurovision Song Contest is a major international contest which is actually meant to be for SONGS, but it is often taken to be a contest of performers and their performances. It is notorious for favouring bouncy pop songs and anything with any artistic merit or belonging to any kind of genre usually does not succeed. One of the best winning songs was A Little Peace in 1982 performed originally in German as "Ein bißchen Frieden" by Nicole. At the end she launched into an English version and it was stunning.
This site has all the eurovision results:
www.eurovisiondatabase.co.uk
Traditional songs have sometimes been adapted and used as pop songs. Notable examples are House of the Rising Sun recorded by The Animals, Hey Joe recorded by the Jimi Hendrix Experience and Whiskey in the Jar recorded by Thin Lizzy. An advantage of traditional songs is that they are free of songwriters copyright and so semi-professional performers can freely publish their recordings without red tape, and it is entirely legitimate to publish the lyrics and music. Much material can be found on the Internet, including midi files of the music.
See below for a small selection of Midi files on this site.
Sources for traditional songs (and a huge amount of traditional instrumental music) can be found by using the search facility at:
www.folk-music.org.uk/tunes
There are plenty of sites on the web which provide Midi files, both of traditional songs and those whose composition is still copyright. Midi files normally contain only the music and not the words, so the issue is whether the tune is copyright. If so, it is a breach of copyright to distribute the midi file, but nevertheless it is still done extensively despite attempts by the industry to stop it.
Midi files are often classified by performer, which (as for lyrics sites) is the wrong approach. Midi files can vary enormously. They may be portrayed as being associated with a particular hit version of a song, and occasionally be a pretty good approximation, but some midi files are 'performed' in an entirely different style.
Sometimes a Midi file might consist only of the backing part of the music, and omit the tune. There are reasons for this. Firstly, a Midi file cannot contain adequate representation of vocals, and certainly not words. Some singers use them as backing material for live performance. Also, the melody is the main thing subject to copyright. Whether the backing is part of the composition is more questionable and more difficult to enforce.
There is another aspect of a Midi file which may be subject to copyright and that is the work of creating the Midi file itself. It takes a great deal of work to produce a good quality midi file and there may be copyright rights even in the midi files of traditional music. Many of the files available on the internet are just copies of each other, or perhaps edited variants. Any credits in the file can easily be deleted and the origin gets lost.
As with lyrics sites, Midi sites tend to be a bit shady. Some sites make a point of not actually providing the midi files directly, but provide links to those who do. The sites which do distribute midi files seem to be mainly amateur enthusiasts, and because of an ongoing effort to stop this by the music industry, it is an ever-changing landscape.
Here are two such Midi files:
House of the Rising Sun - In the style of The Animals.
Hey Joe - In the style of Jimi Hendrix
This site is a good starting point for searching for a midi file:
www.midisite.co.uk
Further information on the MIDI file format and sources of Midi files for traditional songs and tunes see my other site:
www.folk-music.org.uk/tunes
Wikipedia, the well-known online encyclopedia, has a lot of information about
songs and songwriters.
Wikipedia
A site is primarily about Traditional Music (I know it well), but
now has a "Song Finder" facility for a wider range of more contemporary
songs and includes songwriter information.
www.traditionalmusic.co.uk/song-finder/sf00.html
In case of difficulty, for example if the page name is changed, go to the main page and find the Song Finder using the site's navigation facilities. www.traditionalmusic.co.uk
Rockin' Country Style
rcs.law.emory.edu/rcs
Large song index and discography.
dbopm The Database of Popular Music
www.dbopm.com
Popularsong.org. American Popular Song past and present.
www.popularsong.org/
Please put a link to this page using one of the following locations:
www.songs1.com
or direct to this page:
www.songs1.com/songs.html